Following a long-running run on the iconic Vegas strip, the performers from the spectacle Jubilee! executed their last perfectly timed kick in 2016. The extravaganza, renowned for its ornate costumes designed by style icon Bob Mackie, closed its doors due to declining audience numbers and unimpressed reviewers who labeled it a spectacle âa relic of another eraâ.
Now, nearly ten years later, the showgirl, or at least the showgirl aesthetic, is experiencing a revival.
Dubbed the âsultan of sequinsâ, Mackie has made dramatic stage sparkle his defining aesthetic, dressing everyone from Hollywood icons to pop royalty. In a recent auction, a âbarely-thereâ bodysuit he designed for Cher in 1978 commanded $57,600, well over its estimated price, while a shimmering fringed bodysuit with lamĂ© wings that Mackie designed for Tina Turner for a 1977 performance sold for $19,200.
âIn my view it looks more appealing for the emerging artists who is looking for something other than what they were accustomed toâ, he explained to a newspaper. âContemporary performers are pushing toward a theatrical, more spectacular, show-stopping, entrance-making statement.â
Itâs a look that sashayed all the way to the heart of popular culture in 2025 thanks to a global pop icon. Recently, the entertainment titan wore one of Mackieâs classic Jubilee! costumes on the cover of her latest record. The bedazzled bra and thong, ostrich-feather armbands and sparkly headpiece were perfect for a record titled The Life of a Showgirl.
She isn't alone. This year, showgirl inspirations have been incorporated by music artists including Sabrina Carpenter as they danced across world tours in sequins, revealing designs and plumes, illuminated against theatrical sets. Her fashion curator her creative director told a fashion magazine he wanted to bring âa stage personaâ to her Radical Optimism tour â inspired by pictures from the 1950s, the backup dancers wafted giant feathered fans.
These artists and other successful musicians also reference classic entertainment forms, including vaudeville and dance line references. The final look are poles apart from the 1990s era Britney Spears era of crop tops and baggy pants, and urban dance moves that were popular earlier.
But some critics are on board with this showgirl renaissance. Nancy Hardy, a former Jubilee! showgirl who danced in the 00s says the trend is âbemusingâ. She thinks the word showgirl title is being âtreated as an umbrella term including everything from The Radio City Rockettes to Broadway performers and now apparently Taylor Swift.â
For younger and modern stars, Mackieâs retro designs have become highly covetable. In 2024, a famous actress paid tribute to one of Mackieâs iconic muses, Cher, when the actor wore a translucent sequined dress made by the designer in 2001, which was inspired by one he created for Cher to wear in 1967. Later that year, Miley Cyrus paid an significant price to buy the Mackie fringed mini dress she had worn earlier in the year to perform at the Grammys. In September, the singer wore a collection of classic Mackie designs at the MTV Video Music Awards. They are also a favorite among vintage enthusiasts.
âThis style evoke fond memories for a past glamour,â says a historian, a curator at the a Las Vegas university, who studies the history of showgirls. âNow it is viewed as a sort of âsafeâ allure because it has been updated. It has got all the glamour, the crystals and the glitter but without the bare skin.â
She says this figure are integral to the imagery of Las Vegas. She points to one-time leader Oscar Goodman who, during official events, was accompanied by two showgirls. While Las Vegas does not host any traditional showgirl productions, the historian says they are still featured as an emblem of the city, being present at corporate events and in promotional material. âThe showgirl is still a remaining figure of Las Vegas spectacle,â the expert says.
Nancy Hardy says the transformative effect of a stage character is part of the appeal. This idea Swift hints at in a recent documentary series that captures the off-camera action from her extensive 2023 Eras tour, which included exhausting preparations, gym sessions and numerous concerts across multiple nations, each running for 3.5 hours.
She explains her own showgirl performances as âcomparable to running a marathon in stilettos every nightâ. Her feathered headdress weighed 34lbs. âI had to support it all the way up the steps to the stage from the dressing rooms three floors below in the lower level. I had to leave early for my entrance so I could rest before I performed. You are perspiring the whole time but creating this image that itâs effortless and stunning and magical.â
Maybe this is where the fascination of the showgirl fantasy really is found. In the complexity of 2025 there is a craving for a break from reality. Is there anyone better to look to than such icons, who have always personified fantasy, flawlessness and a universe where no one makes a mistake.
En politisk analytiker med över 15 Ärs erfarenhet av svensk offentlig förvaltning och samhÀllsdebatt.
Joseph Brown
Joseph Brown
Joseph Brown
Joseph Brown
Joseph Brown